Listen to recordings and see if you can hear the difference between these two types of vamps. A II7 V7 I vamp could be substituted in Ulupalakua for example. There are many! Remember that vamps can be V7 I or II7 V7 I. See how many other songs you can find the have II7 V7 I or VI7 II7 V7 I progressions. This had a very strong influence on Hawaiian composers. This cycle is used often in Swing and Jazz music. II is the “V” of V, and V is of the V of I. This song uses the same first four bars as Puamana then uses a cycle of dominant 7th chords going VI7, II7, V7, I. I | I7 | IV | I | VI7 | II7 | V7 | I | V7 | I | The steel guitar often takes a solo here but ‘ukulele and slack key guitar also works beautifully for pa’ani (solos) during vamps. It is also a moment for an instrumental break. It is a break in the vocal melody and a moment for hula dancers to koholo (pause before the next verse) and kahea (call out the first words of the next verse). Vamps are two bar phrases that end each verse before a new verse starts. This is a very typical Hawaiian vamp in bar 9 and 10 but is also used early in the song at bar 7. This progression also uses a II7 chord pulling to the V7 chord. A C7 chord pulls nicely to F for example. This song uses a dominant 7th I (I7) chord in the second measure leading to the IV chord in the third measure this is a very common chord motion that is used again and again. The rest of the progression uses I and V7 chords. We use the IV chord of F in the key of C in this song. We are only using the I and V7 chords in this song
Hawaiian slack key guitar series#
Think of the progression as a series of Roman numerals and then try them in different keys. Here are some popular Hawaiian song progressions to study. A good example of this is a vamp that II7 V7 | I | Hawaiian chord progression often change minor chords to dominant 7th chords: ii and vi often become II7 and VI7. These are the major chords in the chord family. The most commonly used chords are the I, IV, and V or V7 chords. Here is the chord scale for the keys listed above: The seventh chord in the chord family is diminished(viidim). Dominant seventh chords have upper case Roman numerals with a 7 (V7). Major chords have upper case Roman numerals (I) and minor chords have lower case Roman numerals (ii).
These chords are often giving Roman numerals to identify where they appear in any given key. Major Minor Minor Major Major Minor Diminished If you build a chord on each note in a scale you get this sequence: Here are the numbers and four scales–C, D, G and F Learning the family of chords and how a basic numbering system works to identify chords in progressions and keys can really help as you memorize songs, change from one key to another, improvise, compose, and develop your ear.Īny major scale consists of seven notes.
Hawaiian slack key guitar manual#
Currently, the Ki Ho’Alu Guitar Tunings Manual is in its 5th edition, containing reference material and chord diagrams for 20 slack key tunings.Most Hawaiian songs are built on a series of chords that repeat in short cycles. Finding relatively little documented material, I began to compile what information I could find and ultimately assembled that information into book form. Eventually, with a growing interest in Hawaiian slack key guitar, I began to look for information about other slack key tunings.
Like most slack key students, the first tuning I learned was Taro Patch, or Open G tuning. Audio demo snippets of slack key playing techniques.Links to related sites and useful resources.
Hawaiian slack key guitar free#
Information about my Slack Key Tunings Manual, including free excerpts (see the Contact Page), and an order form for the manual.Blog postings covering a range of slack key related topics, such as tunings, mainland events, music tech, reviews, etc.These tunings, many dating back into the early-to-mid 1800s, provide a musical palette from which guitarists draw to create the melodic, flowing style that evokes the feeling of the Islands and the traditions of Hawaiian music and chant.This site is dedicated to an exploration of slack key music and tunings. The style draws its name from the technique of tuning down, or “slacking” some of the guitar strings to achieve the unique tunings which characterize the style. “Hawaiian slack key guitar (ki ho’alu) is truly one of the great acoustic guitar traditions in the world.” - Keola Beamer.
0 kommentar(er)
